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have to keep reminding myself this when jogging for 8 minutes almost causes me to pass out. wtf

have to keep reminding myself this when jogging for 8 minutes almost causes me to pass out. wtf

(Source: internal-acceptance-movement)


(via healthyequalshappy)
oldrags:

The Young Wine Tasters by Albert Roosenboom, ca 1870’s

oldrags:

The Young Wine Tasters by Albert Roosenboom, ca 1870’s


(via oldrags)
fuckyeahmcgosling:

10/50 pictures

had to reblog for the love of dirty dancing. and ok it’s adorable lolol

fuckyeahmcgosling:

10/50 pictures

had to reblog for the love of dirty dancing. and ok it’s adorable lolol


(via fuckyeahmcgosling)
fuckyeahmcgosling:

08/50 pictures

lol this picture is really cute

fuckyeahmcgosling:

08/50 pictures

lol this picture is really cute


(via fuckyeahmcgosling)
snowce:

Serge Marshennikov

snowce:

Serge Marshennikov


(via dirtyprettything)
mykindafairytalee:

Garden gate by goodjon on Flickr.

oh yea this will be the entrance to my garden.

mykindafairytalee:

Garden gate by goodjon on Flickr.

oh yea this will be the entrance to my garden.


(via babyydolleyes)
welovepaintings:

Thomas KenningtonGreat Britain 1856-1916Homeless 1890oil on canvas170.0 x 152.0 cm
___
Homeless, 1890, is one of a series of works in which Kennington depicts the plight of women and children who were impoverished or destitute. Subjects such as these gained popularity during the 1870s and 1880s, partly as a result of the increasing influence of illustrated journals, which regularly commisssioned artists to provide images of ‘real’ life.
In Homeless, the square-brush technique used by Kennington in painting the wet pavement and the river, and his focus on subtle tonal variations rather than on colour - as in the soft grey light illuminating this scene - were among the characteristics adapted by British artists from French sources at the time.
CultureVictoria

welovepaintings:

Thomas Kennington
Great Britain 1856-1916
Homeless 1890
oil on canvas
170.0 x 152.0 cm

___

Homeless, 1890, is one of a series of works in which Kennington depicts the plight of women and children who were impoverished or destitute. Subjects such as these gained popularity during the 1870s and 1880s, partly as a result of the increasing influence of illustrated journals, which regularly commisssioned artists to provide images of ‘real’ life.

In Homeless, the square-brush technique used by Kennington in painting the wet pavement and the river, and his focus on subtle tonal variations rather than on colour - as in the soft grey light illuminating this scene - were among the characteristics adapted by British artists from French sources at the time.

CultureVictoria


(via fuckyeahvictorians)
mindthefilth:

awesome photo by Terry Richardson

mindthefilth:

awesome photo by Terry Richardson


(via mindthefilth)